Tuesday, November 30, 2010

Whats In Green Xanax Bars

Come in peace, the exhibition is over

Ghostwriter
Come in peace, the exhibition is over
(an artist in a gift box)



To stay in the theme of 'Art of Favor' (see tag), here is a small (and incomplete) examination Printing

"The work of Hannes is somewhere between the naturalistic representation that simply is not interested in pure abstraction, and he lived in some way as a loss "
(Unsigned, South Tyrol 23.09.2004, quoted by the presentation of Gian Pietro Fazio Staff on the occasion of the Leonardo Gallery, Bolzano)

"Too banal and reductive, therefore, the definition of landscape or view. Hannes's paintings Vonmetz summarize the qualitative idea of \u200b\u200bnature as an immensity of space, without boundaries or limits on quantities. A total view, romantic and solemn at the same time, much to touch, sometimes with dramatic vein, the myth "
(Severino Perelda on 02.10.2004 Altoadige reviewing the staff at the Leonardo Gallery in Bolzano)

"Equally happy hybridization of land art and conceptual work" Cosmogonies " Hannes Vonmetz that summarizes the meaning and significance of Seeart. "
(Georg Vonmetz Schiano signed up Altoadige 10/21/2005)

" Hannes goes beyond the normal scale and points to the area and why not, the immensity "
(Severino Perelda Altoadige on 04/24/2009, reviewing other staff at the Leonardo di Bolzano)

"Vonmetz has what it takes to exhibit at the Galleria Civica"
(Pergher Altoadige on 18/03/2010)

"Achille Bonito Oliva reported among the emerging Italian artists"
( Pergher Altoadige on 03/18/2010)

"Hannes Vonmetz is one of the most interesting and promising young artists from South Tyrol"
(Pergher Altoadige on 28.03.2010)

"What has been proposed by me and then chosen by the Galleria Civica Curatorium few months before it was discovered by the famous art critic Achille Bonito Oliva shows just that I was right"
(Pergher Altoadige on 28.03.2010)

"Of Vonmetz have dealt with the best names in terms of praise on all the local media"
(Pergher South Tyrol on 28.03.2010)

"The Galleria Civica di Bressanone start to the season finale with an appointment of great interest. Tonight at 19 is the scheduled opening of the exhibition of the works of Hannes Vonmetz Schiano. This is one of the most interesting artists of new generation ... Tyrolean Vonmetz Schiano is trying to restore local artistic expression of painting on the tracks "
(unsigned, Agenda, at south tyrol 05.11. 2010)

"... but now the compositions are presented with a determination conceptually desired uniformity in research ..."
(Giancarlo Altoadige Cappelletti on 16/11/2010)

"Hannes demonstrates an originality and autonomy of expression"
(Giancarlo Altoadige Cappelletti on 11/16/2010)
(Altoadige On 16/11/2010, six columns, four color photographs )

(New Zingarelli, Italian dictionary, ed. Zanichelli)

pump?
(on account of a marketing strategy)


PS Giancarlo Cappelletti (but who is he? art dealer of Trent?) presents the exhibition and wrote as much in the newspaper article by Georg Vonmetz Schiano (where he had never written anything before).









Tuesday, November 23, 2010

Soft Cervix 5 Days Before Period

Poque, PERO BONITO!

Poque, PERO BONITO!



Ghostwriter
(post is an bit 'long, but if you have five minutidi time and the topic you are interested ...)





In this installment of the saga small 'The Art of favor' (click on the tag for the others), I would like to tell you about repartee in the press on the subject of this 'favor', the young and promising artist Hannes Vonmetz (with the addition of Schiano the exhibition at Galleria Civica in Bressanone, but as recorded in the Registry? Family names are worn as clothing according to the occasion?).
Keep in mind that 'they' have dell'AltoAdige pages as you like, you do interviews with the photos, there are journalists who were chasing them as the star, I can answer letters only if they are not censored because it was too long, perhaps publish, when and if they want. Santa instead has this weapon and uses it, and how if you use it!





The 18 marzo2010 is published interview with the lovely photo above where start glissaresui favoritism and to try to divert attention to the quality we artistiche.Proprio me pull the hair. I have never publicly criticized the young artistic lecapacità Vonmetz because I just wanted denunciareesclusivamente favoritism. I have my opinion, of course, but I have always held for me and my friends.
Unfortunately, since only nell'articolobattono the nail on this, I was forced to get off sulcampo who chose them. The day of 18 March was never fattasparire archive online, while those of 17 ( press conference ), 19 (Article 'Bova attacks Stablum ': no \u200b\u200bpatronage ) and 20 ( figures allocated in favor delleassociazioni ) not to sonotrovate months, and have reappeared after I submitted the complaint to Attorney (an allusion not only unriferimento time).

Take note alledate below:

1 st April2009 : Alex Pergher inComitato leads its list of artists for 2010 Hannes Vonmetz among others, of course (as we say later) perceiving the qualities that make it tobe included in the list.

18-25 July2009: Soprabolzano, Renon: The ARTEOLTRE THE 2000 , conference diAchille Bonito Oliva, fee € 450/550, stay excluded. Daily Peril Alto Adige is present throughout the duration of the Seminar GeorgVonmetz retired journalist, with his trailer. The Family critical pass pleasant evenings together with the journalist and, in the afternoon free of classes and lafine after the seminar, accompanied by these , visit sites and monuments of South Tyrol, including ilMuseo Diocese of Brixen.

28 July2009: South Tyrol, p.. 36, Article "Achilles Bonito Oliva: "One challenge I see a fertile Museion Mart ' " report on the visit to the Museion which reads from the frasepronunciata critical "But here I see quasisolo photographs. Missing painting. Look, there are some good South Tyrolean giovanipittori working in Berlin and Düsseldorf, " .

Hannes Vonmetz works in Düsseldorf ...

Alex, Alex, TIFAI hurt if you write the dictation of a father blinded by rage! Ilquale dad (who happened to appear there by accident, at the end of the interview ...) Hamesse you hand in a double-edged ...






fact, the March 28, 2010, here is the arrampicatasugli mirrors. Published on Altoadige course, probably written aquattro hands, certainly overflowing style and elegance:



convienesezionarla and respond by topic:

"in 2003 ... was critical in announcing the ... Pierluigi Siena, which nescrisse several times with enthusiasm on this newspaper
Another posthumous notiziache provides credentials. Even after we are given, and not before cheHannes Vonmetz was added to the list of 'guests' to expose allaCivica. And 'no doubt that the surname' Scott ', so why not evidenziarein that occasion the great curriculum for those who dismiss credofossero legitimate suspicions of nepotism? If the answer is that there is, as American, 'it was not necessary', it is sad ... It would be nice to read those to understand who is scrittisu Altoadige ilgiornalista who collected the opinions of a large 91 years old, pochimesi before his death in mourning for artists, critics, journalists and friends, who had resigned as manager of two anniprima Museion in Bolzano, when he was 89.

... for a famous gallery of his works are already Düsseldorf statepresentate ... "
That works in cuiHannes Vonmetz?

"... it has been proposed by me ... a few months before he was discovered and reported by Achille Bonito Oliva celebrecritico just shows that I been right ... "
Here is ilbello. I do not know if he 'was right', but it certainly sparked the latest Laluce. In 2008 il'talent scout ', to illustrate shared his future plans, according luilo made the best candidate to lead the City Gallery, presented a list di'papabili 'for years to come, with more or less illustrious names, but sure this reported that of' discovery 'Hannes Vonmetz. So many names for 2009, 2010, and "interesting projects planned for the planning of next years exhibition degliappuntamenti . Everything, even pococonosciuti names, collective design, hyperrealists, engravers ... but there HannesVonmetz. Quella'dichiarazione Copy of intent '(unsigned) I got from Circle S. Erard, chel'ha received by the City.
On 1 April 2009 what would become a chrysalis butterfly was also Pergher. Menoche A had not decided consciously not to play the card of 'hot' finoall'ultimo. More probabilmentequalcuno him 'suggested' the inclusion of the name. Pergher troppoa too many people here must be able to flaunt independently eresponsabilità ...

"... neither of the two characteristics can be attributed to Mrs. Lomeihing nellasua artist's identity"
Fall distillation. Fortunately did not fall from very high up ... He spoke of ' young and promising artists local '. Esclusoper obvious reasons, the geographical connotation of belonging, it seems old gave to accuse me (but fortunately only in my 'artistic identity') and nonpromettente. I have to propriopensare a facelift! I also have the big toe (Artist) worth, if puòservire .... As all'altroconnotato, well, I guess I'm the age now where you have stop making promises, and that semmaidimostrare those made at the time were maintained.
The COSEC make him write the law? But you want to know why they could not go in the trial piùpesanti 'artistic' to me? There are around two or three recensionilusinghiere about my work appeared in South Tyrol signed (look look) GeorgVonmetz Schiano, and pay (certainly at least one) from Circle ArtisticoS. Erard. ...
".... I doubt even his experience and expertise critical (plus summer and hopeless unanimously called by the same club ArtisticoS.Erardo ...)"
Own goal. Lacompetenza me has been recognized since 1978 with a degree in Pitturaconseguita at the Accademia di Belle Arti di Brera in Milan, to assert that chepuò. It 'true that in some ways the qualities needed to esserebuoni sellers of used cars and good pictures of the merchants are the same: we must know the market, not the product. In this Pergher èindubbiamente top, has experience and knows it productively. Vederequanto this would need for a Municipal Gallery not for profit, and where money to manage it (what would be the so-called 'business risk' Perun private gallery) are unstitched from the city.
But what Evere detector and the ' "plus" that seeks to create a malicious link between this miaasserita lack of critical competence and confidence that I would statamanifestata unanimously by S. Erard, and instead only serves to confirm how everyone is worried about tenersibordone. For the modest sum of at least € 70,000 per annum borne by the community. Having said that 'unanimous' perchépuzzano are suspicious of the regime, I do not know if I should really worry that it was trovataunanimità diartisti in this enclave, and certainly there will be the Directors, and jugglers, cheaters, clowns and suffragette, who also I do not seem to be missing, with the exchange of best diruolo circus tradition. Perhaps there is reference to the phrase miacompetenza: " The Circle S. Erardoprecisa that the contents of the letter from Ms Lomeihing (the accuserivolte its President and other members of the Executive) is a attoinaccettabile, based on lies with no foundation. With this comportamentola Ms Lomeihing has, among other things, destroyed the trust reciprocacon the leadership work of the Association " ? This hannoscritto and signed unanimously (Excluding Manfred Mureda Christine Matha and that sucks, jade had resigned. With me, three out of eight members: the unanimity that was at least rimastaè skinny, or not?).

The 25 gennaio2010 , in a letter sent to Mayor Pürgstaller eall'assessore Stablum (both advisors to the culture of their own language) with the subject "Issues regarding the Management Committee of Civic NuovaGalleria, the Artistic Circle S. Erard and delegated by quest'ultimonel first " had written, among other things:
... Poichénelle meetings I attended the Committee has discussed only dinomi lists, perhaps that is where we must start to find inspiration for 'cues-reflecting' internal and external to the two bodies, the nature of the relationship di'collaborazione ', to endurance pressures, internal and external aidue Bodies, choices and fairness in daquelli divergent private interests of the new Civic Gallery, internal or external to the two bodies ....

Nessunarisposta. Then someone complained that I did a press conference ...

Greeting gliamici the blog, which I know are still few. I do not have a newspaper. But I pazienza.Sono China. And Yu Kung removed Lamontagne.
Let me know, please comment below. And, as he says Travaglio, spread the word.



Friday, November 5, 2010

Old Cheap Wooden Beer Barrels For Sale

WITCHES .... SON BACK!

Ghostwriter




(I hope I have guessed the up / down. I followed the direction of gravity I inspired by the subject. Brixner Moreover, even the magazine published twice a picture of another painting by Hannes Vonmetz, and has at least one upside down. This recurrence of the difficulty of giving a certain position size to many works of this painter could perhaps be an interesting element of critical evaluation)

So, all in the City Gallery to admire the exhibition of promising young Hannes Vonmetz. But here I do not want the criticism, nor did I ever claim. I just reported that this exhibition has been another episode of favoritism in favor of a 'caste' that is invading their comfortable places (and taking advantage of money) public. In a press conference I titled "The Art of Favor" I made public this little malpractice. The article below appeared on Altoadige . This resulted in the complete family Vonmetz took my greeting, and the article was made DISAPPEAR for months from the archive of the online newspaper who has worked for years Vonmetz dad. E 'reappeared a few days. After I filed a complaint with a prosecutor in Bolzano. See case.
Hey, webmaster AltoAdige.it, you know something? And the director, Sergio Baraldi?


The young reporter (and perhaps a pupil of the veteran Vonmetz) Luca Masiello added a little 'personal interpretation of what has been said (you can compare with the report of Dolomiten ), but in substance the complaint is clear. The artistic quality of the child Vonmetz not have been brought into play on the occasion. I would like to point out instead of in the body are already incorporated the comments of the father and injured Dario Stablum (which was still the Head of Culture of Bressanone in Italian), and both were not present the press conference. I mean, who have not had to wait for the publication of the article to make their comments. No, they have benefited from the preview. Maybe they could also correct some errors in spelling. But we're just talking about favors ....

It is not that the matter had been painless for me. Since I clearly said to the Trustee Pergher that it was blatant favoritism (it was April 2009), the war had begun to make me even to the Circle S. Erard (do not say that it is a 'park cattle', but he was appointed President Stablum This year the Assembly by acclamation), trying to get me to resign from the Civic Curatorium. Memorable expression made in order to enter in the minutes of the Executive in November 2009 by the President pro tempore of the Circle, Paternoster, then surprisingly resigned, including the name

'The President shall inform the Executive , have received in confidence the starting point of meditation, that would be in the club, having as a representative in the Committee of the Galleria Civica, a bilingual person, so you can catch every detail of what is being discussed.''

identically, including punctuation. I will manage it with the beat of Alberto Sordi, 'I do not have with you, I have it with your teacher who gave you promoted to second grade! "Maybe here to grant an extra bonus for bilingual ... blunders
chatter that become the bar, they said then. I'd be curious to know how many coffees have got together and Paternoster Pergher
... But then you think that the President of an Association seriously (let alone artists, for pleasure) to devise an excuse so stupid? I had been butchered so much that do not attack the posters of the exhibitions, not properly followed the organization of 'preview', but what he needed was a reason why I resigned from the Board and accordingly Curatorium , because if I had been revoked would have to explain why they shared. Obviously they could not tell me that I was indigestible to some 'godfather', so it was given birth to the monster. In a bar, to be precise.

way, at the Art Gallery Adler in 2010 there are still three of the five available spaces for which the annual City (Stablum 04.09.2008, looks a bit ') has signed the Convention to facilitate the young local talent. We are in November. Either there are no young people, or no talent, or there are local .... S. Erard ask for information. This year the appropriation of the City in their favor was € 4000 (apart from contributions from the Province). They are in 4th place by the amount received on 41 cultural organizations that receive public funds. Although the article was talking about these figures Altoadige was made to disappear for months online archive of everyday life, only to reappear miraculously after the complaint. The 2010 budget for exhibitions organized by Pergher (8, including one behind closed doors!) Was approved for 64,000 €.
And as was made by the Curatorium, which published the exhibition program for 2010? Let's see:
Pürgstaller (it's very open and relies on 'experts' choices ...)
Stablum (the word)
Kronbichler (wrote criticism, indeed very honest, the last exhibition of the Leonardo di Bolzano Vonmetz. I have asked him as a friend, given that modern art is not exactly his field). ;
Sommavilla (is booked for 2011 for a celebration of his 60th birthday)
Pergher (same as Stablum)
addition to me , of course.

"The Art of Favor"



Wednesday, November 3, 2010

How To Cook Jalapeno Cheese Deer Sausage

November 3, 1957: the real death of Laika

The real death of Laika
Laika did not live in space, the dog died after launch
of Vittorio Zucconi



The animal was sent into orbit on Sputnik in '57. The Russians said they had endured seven days: was not true.




WASHINGTON - The dog that chased the stars have much preferred to continue to chase cats and cyclists on the streets of Moscow, where she had been able to decide, but a dog Laika was not any. He was a soldier, a flag, a bark of battle, a monument to the Soviet Union wanted to build itself with the material of the Cold War, with engines, missiles, ambitions and, above all, the lies of propaganda. Laika, the dog catcher bastard recruited by Khrushchev in the streets of Moscow to be the first living creature sent into orbit, did not die a painless death after a week in the space of orbits, that propaganda had told us then, but a horrible and agonizing death , boxed in the tiny Sputnik, a few hours after launch. His dog heart was crashed by panic and loneliness incomprehensible.

Another perennial power lies in Russia, Soviet, and not just Soviet, comes to light after 45 years, from the confession of one of the scientists of that space program that, among the first beep of Sputnik and Gagarin's trip around the Earth, was be the demonstration of the triumph over the enemy Socialist Capitalist. The proof of the prophecy of Nikita Khrushchev to the West, "in ten years we will bury you."

Laika, Albina and Mushka together with two other little dogs at random among the mongrels in the streets of the capital, was chosen for its docility, its resistance to acceleration in the centrifuge tests of the "Star City" Houston at the gates of Moscow and, damn small, due to its small size. There was not much space for a dog in Sputnik 2 from the total weight of 108 pounds, that carriers Soviets were able to shoot this in orbit in November 1957. But it was tiny and meek, Laika was still a dog and it took time to adapt to that trip.

With his companions was put in a blender spin that pushed the core up to three times the normal rhythm of heart rate, in fear and hard to pump blood around the body crushed by the acceleration of gravity. He says now the Russian scientist, a tendency to suffer from panic, because the heart is then used three times more time than her companions, before returning to normal speed.

Laika and her companions were forced to live in cages and containers smaller and narrow chains from even closer, for successive periods of three weeks and eat only fruit jellies, jelly, which would be put on board, so that they might, little by little, sparingly, to exhaustion and then lick his death.

At the end of the training, if we can call that torture, we see in old photographs, sticking with the nose and dark eyes rightly concerned, by a sort of black tube of toothpaste, the cone which would was fired from Baikonur, closely chained to prevent her to rebel and move into the tube.

Mushka, as well as small, was, for his further misfortune, even the most intelligent. It was served to test the rudimentary instruments on board, an automatic ventilator that was supposed to cool the passenger compartment when, in moments of exposure orbits the sun during the temperature would rise above 20 degrees.

Albina had been shot twice with rockets, but the bullet recovered by parachute, to test the resistance to the launch. But Laika draws the short straw. She was chosen for the glorious event. It was launched. Without knowing that she had not been provided any triumphant return. What would be dead by turning around the Earth. Dr. Dimitri Malashenkov, the specialist who followed her, said yesterday at a conference of space medicine in Houston, the last hours of Laika. The electrocardiography followed by radio signaled an increase in paroxysmal pulse kindled when the engines began to vibrate and the missile rising from the pitch, something that the dog had never tried before. Reached orbital velocity, the fan, according to the legendary Soviet standard of quality control, of course it did not work and temperature in the trap space began to oscillate between extreme heat and cold.

His dog heart began to beat irregularly fibrillation, where the absence of weight suddenly slowed pulse and the fourth orbit, after five hours of torment, the route was mercifully flat. Perhaps it was the temperature to kill her, or the moisture that had accumulated in his pant in that space, or the carbon dioxide that the filters would have to clean up the dish, but that probably did not work properly. The Doctor is not safe.

But anyone familiar with a dog and have seen the eyes of Laika and the bag inside his cage, he knows what the dog is dead, died of fear and loneliness. Stress, if you prefer a more aseptic. Dreaming the streets of Moscow, the herd of stray cats and it would no longer run after, the hand of those people to whom it was certainly fond of him, without knowing what they were getting ready for her. Laika's funeral was long. It went on for 6 months and 2,570 orbits, while the Kremlin was lying on the survival of Laika the space indicated in "more than four days" and America is gnawing in his clumsy pursuit missile that exploded after launch and chimpanzees in Africa that was training the dogs to chase the Russians.

She was cremated on April 8, 1958, when the two-Spuntik lost speed and went back into the atmosphere, wasting away in a last, small bonfire of the vanities of the ideological and human cruelty. Three years later, on April 12th of '61, a human being by courage otherworldly, Yuri Gagarin followed her, knowing he could do the end of the dog that had preceded it and that had been sacrificed for him, by a regime that was men like dogs and therefore dogs like people. Too late to make a company Laika and take a walk among the stars.


(October 29, 2002)
From: The Republic of October 29, 2002.


Tuesday, November 2, 2010

Baby Congratulations Messages Funny

Students Atelier Louis Lomanto





header_12.jpg

Louis Lomanto
Milanese painter

Students Atelier

Over the years, many former students of Ursuline Art School, and others attended the studio of Louis Lomanto, capturing the spirit, dedication to work, love of painting and great sensitivity. Among these, five painters wanted in particular to pursue his ideas and his style, developing them in a personal way, without ever leaving the person most beloved by Louis, the portrait from life. Francesca Bruni , Pea Trolli, Renata Ferrari, Emanuela Volpe and Rita Carey Feri, having spent several years in the Atelier Lomanto have decided to create the artistic group Artemisia . Among the many students of the Atelier we also find:
    Biography
Luigi Lomanto was born in Milan in 1924 by parents of the rural south, moved with their families in northern Italy for various reasons, sources that the artist never denied but Indeed, on several occasions defended and vindicated with passion and conviction.
reasons of expediency, quotas dictated by economic difficulties, leads the family to address the eldest son to study short and practical, unfortunately foreign and far removed from its true nature, without any regard for her even clear tendency towards 'activities artistic and creative.
His passion for painting, however, was how to re-emerge and assert itself almost arrogantly around twenty years of age, after the tragic experience of the last war at the front first and then lived in the mountains of Bergamo with the partisans .
His early work, a self-taught, date back to 1948 and strongly influenced by long stay in the mountains, with the partisans, almost physical contact with the earth, animals, trees, sunrises and sunsets, as well as some of his adventurous and perilous experiences as a prospector in Val Gandino in Bergamo. He writes in an essay: "Creativity or self-expression is the most basic human need as soon exceeded the basic needs of physical life. "
In his perfectionism, anxiety, exacerbated by an innate tendency to self, but also the firm conviction that the research work, taken individually would entail a disproportionate amount of energy compared with partial and unsatisfactory results, decides on the 50 years to attend the schools of painting of Prof. Augusto Colombo and the painter-restorer James Ciceri and then meet privately to the artistic maturity in Brera.
Acquired the qualification to the drawn figure, he teaches with great professionalism and dedication for over twenty years, from 1966 to 1988, at the Art School of the Ursulines of Milan, transmitting to his students, with the fruits of his experience and his tireless research work, l ' enthusiasm and love for art in all its varied expressions and culture in general. "The teaching, he writes, is an aspect of communication, it is indeed the look organized and knowledgeable."
His lectures had become a sort of cultural moment exciting and involving discussions about art were in fact a pretext to turn the debate on the issues as diverse as religion, philosophy, science, music, literature. An extraordinary opportunity for enrichment and personal growth.
The acquisition of a solid job and achieved absolute mastery of painting techniques and graphics allow the poetic world, over many years of hard work, to express themselves in more depth with a more refined language, Read and complex. The mature works are characterized by the fact expressive force, the safe design, the solidity of the intense and original exploration of color and light, the multiplicity of issues, but also, and this is the element unifying power of his artistic production, the lyrical atmosphere that surrounds them. Expression of a poetic vision and quasi-religious life in all its manifestations.
His relentless work of exploration of color and language and the changing interests over time not only led him to devote more space and attention to landscape compared to the figure of the first period of creative activity, but to leave the warm, soft and velvety at the beginning and to use pure color, to enhance the brightness and to achieve maximum freedom of expression and language in the balance between expressionism and abstract as can be seen by many faces male and female of the last period and in particular by the "sea" faced with a freedom and exuberance of colors that accentuate dramatically unusual and overwhelming violence el'impetuosità of their waters.
For many reasons that you can not list here sets up a few shows.
remember only his firm refusal to bow to the laws of the market now, as part of a general crisis of culture, more sensitive to the quirks and eccentricities that close against a painting like that of Lomanto that, although modernity and originality in its shows to keep a relationship dialectic of continuity with the past and did not want to stop at all. The artist defines so sharp and vivid the new rulers of the market "inventors of all external formulas of originality that they rely heavily on such a sensory shock."
to the next, this modest and decent artist Antep always bravely and almost stoically, in a sort of conscious self-harm, solitary and silent work, study, research and teaching. "Man, to be such, must be the focus of their experiences, have time to objectify and to find the links in the recollection of his own interiority. And this happens best in silence and recollection. "
Loneliness, however, as was rightly pointed out, lots of relationships and comparisons, as a teacher with students and as an intellectual with friends.
During his long artistic career had the opportunity to experience the sculpture made of poor materials, waste (scraps of cloth and rags soaked in glue and molded on a skeleton of wire), works created by case primarily educational purposes, and to devote much of his time at work about eight hundred documented by graphic drawings made with various techniques.
Dies Suddenly, in full employment, and creative teaching in May 1997 with the concern that the bitter fruit of many years of passionate and experienced labor can go missing or fall into oblivion (a collection of about eight hundred oil paintings, of many drawings and about fifty small sculptures).
(The quotes are taken from the sentences quoted essay on the artist "Crisis of education in art institutes in the context of the crisis and the School of Culture, 1976).